2008年5月3日星期六

"Deep Frye"

The New York Review of Books

Volume 4, Number 6 · April 22, 1965

Deep Frye


By Frank Kermode

A Natural Perspective: The Development of Shakespearean Comedy and Romance
by Northrop Frye

Columbia, 159 pp., $3.75

And here, I think, is the clue to what finally invalidates Frye. If literature does the work that ritual and myth once did, the arrangement is providential, for myth and ritual can obviously no longer do it. What makes literature different is, roughly, a different reality principle, appropriate, in an expression of Eliade's which Frye himself quotes, to this time as myth was appropriate to that time. The difference between illud tempus and hoc tempus is simply willed away in Frye's critical system, but it is essential to the very forms of modern literature, and to our experience of it. I do not mean simply that in the literature of our own time, which is itself considerably complicated by the prestige of myth, we are made aware of the conflicting claims of rigorous fact and comforting fiction; in my generalization I include Shakespeare, and especially the Shakespeare of the tragedies. King Lear dies on a heap of disconfirmed myths, and modern literature follows Shakespeare into a world where the ritual paradigms will not serve, and magic does not work; where our imaginative satisfactions depend on a decent respect for the reality principle and our great novels are, in the words of Lukacs, "epics without god."

And even Shakespeare's romances belong in hoc tempore. We do not accept their conventions as we accept those of popular tales, simply as given for our ease and comfort. The tough verse forbids that, and so does the particularity of what happens on the stage. The statue that moves might enact the Pygmalion myth, were it not that Perdita in all her vitality stands motionless beside it; and that it is shown how no chisel could ever yet cut breath. It is the breath of Hermione, the presence of Perdita, that are lost to view as you stand back; you sacrifice them to a system and a myth. The conclusion seems obvious: when you hear talk of archetypes, reach for your reality principle.


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