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显示标签为“style”的博文。显示所有博文

2007年2月25日星期日

George Orwell, "Politics and English Language," 1946

...
Orthodoxy, of whatever color, seems to demand a lifeless, imitative style. The political dialects to be found in pamphlets, leading articles, manifestos, White Papers and the speeches of under-secretaries do, of course, vary from party to party, but they are all alike in that one almost finds in them a fresh, vivid, home-made turn of speech. When one watches tired hack on the platform mechanically repeating the familiar phrases—bestial atrocities, iron heel, bloodstained tyranny, free peoples of the world, stand shoulder to shoulder—one often has a curious feeling that one is not watching a live human being but some kind of dummy: a feeling which suddenly becomes stronger at moments when the light catches the speaker’s spectacles and turns them into blank discs which seem to have no eyes behind them. And this is not altogether fanciful. A speaker who uses that kind of phraseology has gone some distance towards turning himself into a machine. The appropriate noises are coming out of his larynx, but his brain is not involved as it would be if he were choosing his words for himself. If the speech he is making is one that he is accustomed to make over and over again, he may be almost unconscious of what he is saying, as one is when one utters the responses in church. And this reduced state of consciousness, if not indispensable, is at any rate favorable to political conformity.

...

冠冕堂皇的空洞文体往往和闪烁其词的骗术相辅相成。这在英文里是这样,在中文里也是一定的。幸运的是,不登大雅之堂的“恶搞”如果运用得当,正好可以致冠冕堂皇的骗术于死地。鲁迅、王小波等文体家便是擅长“恶搞”的好手。他们帮助并启发读者去识别空洞的语言,并告诉我们:如果说空洞的语言还有什么用处的话,那就是欺骗。只有像他们这样正直而敏锐地去使用汉语,才能够发掘并整理出一整套“现代汉语骗术大全”来。

© by Dun Wang (王敦). All rights reserved. 著作权拥有者:Dun Wang (王敦)。

2007年2月13日星期二

advice on style: William Strunk Jr., (2)/ 再谈文体

Here is another advice of William Strunk Jr., from that “little book,” The Elements of Style, which I regard as the informal “constitution of letters.”

Prefer the specific to the general, the definite to the vague, the concrete to the abstract.

If those who have studied the art of writing are in accord on any one point, it is on this: the surest way to arouse and hold the attention of the reader is by being specific, definite, and concrete.

Two examples:

In proportion as men delight in battles, bullfights, and combats of gladiators, will they punish by hanging, burning, and the rack. (Herbert Spencer, Philosophy of Style)

I returned, and saw under the sun, that the race is not to the swift, nor the battle to the strong, neither yet bread to the wise, nor yet riches to men of understanding, nor yet favor to men of skill; but time and chance happeneth to them all. (Ecclesiastes, King James Version)

文体家 William Strunk Jr. 的又一条忠告:要鲜明、具体,不要含混、空洞。英文语体的发展没有经历废除“古文”这一幕。好的英文可以取得中国古文佳作同样的效果:千锤百炼,雄浑有力。

© by Dun Wang (王敦). All rights reserved. 著作权拥有者:Dun Wang (王敦)。